The Temple and its Sacred Altars

The Most Excellent Master, or Sixth Degree in the American York Rite, celebrates the Completion of King Solomon's Temple.  Four things are set in place in this degree.  The cap-stone is placed into one of the principal arches of the Temple, completing the building. The ark is safely seated within the Holy of Holies, and, after King Solomon offers the dedicatory prayer, fire descends upon the Altar of Sacrifice and the Shekhinah also appears. The lecture of the degree talks to us specifically about building our own inner or spiritual Temple, and draws our attention back to the progress we have made in the preceeding degrees.

Let us review the various Degrees and observe how the Altar of Freemasonry represents the various Altars of King Solomon's Temple as we progress through the degrees.

We are taught that Entered Apprentice Masons hold their meetings on the ground floor of King Solomon's Temple. The ground floor is the Courtyard, where the Altar of Sacrifice is located. It was upon this Altar that the Sacred Fire from Heaven descended and consumed the Sacrifice at the dedication of Solomon's Temple.  Once burning, the Fire from the Altar of Sacrifice is never extinguished.  It is carried into the Holy Place and used to light the Lampstand and its coals are used to kindle the Incense Altar, and is carried by the priests in censers whenever the Tabernacle must be moved.  It is the manifest presence of that Eternal Flame which never goes out, the Aur Ein Sof (Light Without End) of the Kabbalists, universally depicted over the Master's Chair in Freemasonry as the letter G.

Fellow Craft Masons hold their meetings in the Middle Chamber of King Solomon's Temple.  In the Middle Chamber we find the Incense Altar, where incense burns both day and night before the veil, and prayers ascend like smoke up over the veil into the Sanctum Sanctorum or Holy of Holies.  We also find the Seven-branched Lampstand here, and the Table of Shew-bread which are symbolized by the Wages of a Fellowcraft Masons, corn(wheat), wine and oil, and which, in the Temple, provided sustenance for the priests.

Master Masons hold their meetings in the Sanctum Sanctorum, or Holy of Holies.  Here we find an "Altar" called the Ark of the Covenant, which is a small chest or coffer, made of Acacia wood, and overlaid inside and outside with gold, into which were placed the tablets of the Law (both the broken and the unbroken sets), a pot of Manna, and Aaron's Rod which budded and blossomed with almonds.  A copy of the Torah was also kept within the Holy of Holies, next to or possibly upon the Ark.  The Jewish High Priest, standing before this Ark, or Altar, would offer prayer for his own sins and the sins of his people, and this was also where, according to Masonic legend, Hiram Abiff offered his prayers each day during the building of the Temple.

Upon the lid of the Ark (called the Mercy Seat) rested two additional Cherubim, made of the same piece of beaten gold as the Mercy Seat, facing inward, with their wings covering over and supporting the Ark.  The Holy Writings describe the Cherubim as having four faces, those of a Lion, an Ox, a Man and an Eagle, with one face towards each direction. These same creatures were also depicted on the standards of the four principal tribes of Israel, as described in the Royal Arch, or Seventh Degree, and when the Israelites were traveling in the wilderness for forty years, in their Encampment, it was these very same four tribes, Judah, Ephraim, Rueben, and Dan, who respectively camped directly to the East, West, South, and North of the Tabernacle.

Through a study of the Volume of Sacred Law, particularly Leviticus chapter 16, and also of the Talmud, we may learn a great deal about the ceremonies in which the High Priest engaged. He would enter the Holy of Holies on only one day of the year, Yom Kippur, and upon entering, he would pass beneath the Wings of the Cherubim. The Cherubim referred to are the large ones which stretched from one wall of this chamber to the other, touching the tips of their wings together in the midst of the room, as described in the Royal Master, or Eighth Degree.  After entering, the High Priest would place a golden censer filled with coals and incense upon the floor before the Ark of the Covenant, and retreat outside the room, where he would offer a prayer before the vail with hands uplifted before YHWH.  It was on this occasion, during this prayer, that he was permitted to speak aloud the Great and Sacred Name of Deity, and upon offering this prayer, the Shekhinah or Divine Presence would descend and rest above the Mercy Seat of the Ark of the Covenant.  He would then re-enter the Holy of Holies, and indirectly behold the Shekhinah through the hazy cloud of smoke which had emanated from the his Golden Censer and filled the room. This smoke was so thick that he was required to use his hands to block the smoke from entering his nostrils.  As also described in the Royal Master degree, as well as in the Sacred Writings, the Bath-Kol (Literally, "Daughter of Voice," in Hebrew), or Voice of God Unseen issued forth from between the wings of the Cherubim and was heard by the High Priest.

You've probably heard the analogy that our body is a Temple, a house for the Spirit of God to dwell in, or that we are to construct "a spiritual building, pure and spotless, fit for the habitation of him who dwelleth only with the good."

What follows is speculative, and is intended to stimulate your own thoughts on this subject:  I want to compare the events of the Most Excellent Master degree to both the physical and spiritual aspects of the human body and see if the completion of the Temple can be represented there in the same manner.  I will begin by suggesting that our Heart (or possibly, our Heart and Stomach) represents the Altar of Sacrifice.  Physically, the heart is the center of our body's blood system, and blood is the primary ritual element of the sacrifices which were performed in the Temple.  The blood from the sacrificial animals was placed upon the horns of the Altar of Sacrifice, and was also carried into the Holy Place and placed upon the horns of the Incense Altar.  Scriptures frequently relate Fire to the heart.  Psalm 39:3, for example, reads "My heart was hot within me, while I was musing the fire burned: then spake I with my tongue."  Jeremiah 20:8-9 reads "For since I spake, I cried out, I cried violence and spoil; because the word of the LORD was made a reproach unto me, and a derision, daily. Then I said, I will not make mention of him, nor speak any more in his name. But [his word] was in mine heart as a burning fire shut up in my bones, and I was weary with forbearing, and I could not stay."  Luke 24:32 says, "And they said one to another, Did not our heart burn within us, while he talked with us by the way, and while he opened to us the scriptures?"

As I mentioned, some of the blood was carried in to the Incense Altar, and the Psalm also said, "then spake I with my tongue."  Our throat has an Incense Altar within it, consisting of the tongue and also the larynx, or voicebox, by which we create speech and offer prayers. The throat is also where air enters our body, like the smoke ascending up from the incense altar and over the vail.  If our voice sends forth the prayer, and afterwards we pass through the vail into the Sanctum Sanctorum of our head where we stand in waiting for an answer to our prayer, would not the daughter of voice, the Bath-Kol, be that still small voice (see 1 Kings 19:11-13) of God, speaking directly to our mind. Would not the greater Cherubim reaching across the room be the eyes, whose optic nerves, like wings, meet in the middle of the Holy of Holies, and would not the lesser Cherubim upon the Ark, be our ears, whose canals lead inward, covering over and supporting the mercy seat?  The Bath-Kol is the Voice of God which issues forth from between the wings of these Cherubim and enters our thoughts as divine inspiration.  Perhaps the smoke of our Golden censer, is the temporary closing of our eyes and ears to outside sensory distractions so that we can listen for the Bath-Kol.  Perhaps, like the High Priest, we may invoke the True Word (not the Royal Arch Word, but that which it represents), and summon the Shekhinah to appear in our Holy of Holies to give us direction.  This direction is not identical to our own thoughts, but is added unto them, mixing with them.  Neither is it identical to that wisdom which descended to rest upon Solomon in the Past Master, or Fifth Degree, represented by King Solomon's Crown or the Top Hat of the Master.  But before we are to hear the Bath-Kol, we must ensure that the building is Completed, that the Keystone is set into the Principal Arch of the Temple, that the Ark is Safely Seated, and that there is a Fire burning upon the Altar of our Heart.  Remember, the Fire upon the Altar of our Heart should be continually burning, and the Incense should be offered both day and night, but the Shekhinah is only manifest when invoked by use of the Great and Sacred Name.

So, what do the Keystone and the Principal Arch represent in our bodily Temple?  How can we prepare our inner Temple for this event?   And, why must this event transpire before we are permitted to travel into foreign countries, or to go into that undiscovered country from whose borne no traveler returns, the privilege finally bestowed upon the craftsmen at the dedication of the Temple?

Please divert all comments on this article to the copy posted on the Reames Chapter #28 R.A.M. Website.

How the Degrees Came to Exist

In this article I am presenting a very complicated subject, but it shall be put forth as simply as possible. Each degree deserves multiple chapters in a book, but will only get here a brief description. Masonic Lodges originally worked a Two-Degree system:

The Entered Apprentice degree is the most obvious. It is the foundation of our Masonic journey, and while its lecture contains allusions to Solomon's Temple, its other content is almost entirely "operative." It obligates us, teaches us to behave in a proper manner, and gives us secrets whereby to recognize one another. In its simplicity, it represents the pure Masonry of time immemorial, having received very little amendment.

The Fellowcraft Degree is the original reward for being able to demonstrate quality Masonic work. The medieval guilds also used the name "Journeyman" for Fellowcrafts. They (originally) could begin to travel, work, and receive wages for their labors. We see in the Fellowcraft degree, the introduction of a complex system of symbolism, the birth of speculative Masonry, which most of all exhorts us to study the various arts an sciences and to make our life a well-spent one.

The Mark Man, or first section of York Rite's fourth degree, "Mark Master Mason" has elements which were originally taught to Fellowcraft Masons, including selecting a distinctive mark and learning to mark your work accordingly, and how to receiving the wages of an operative Fellowcraft Mason. Its lessons, from an operative point of view, seem particularly suited towards how to get along while working with a large groups of other Masons.

Lodges originally consisted of a number of Apprentices and Fellowcrafts, presided over by an elected Master. The positions of Master and the two Wardens were originally able to be held by Fellowcraft Masons, and the Mark Master, or second section of York Rite's "Mark Master Mason" degree probably at one time constituted the ceremonies given to a Fellowcraft upon becoming the Master of a Fellowcraft Lodge. The "Installation Ceremony" of a Worshipful Master was probably also used at this time, and is essentially a set of oaths and an investment with various items pertaining to the government and operation of the Lodge.

The first Grand Lodge was formed in 1717, and the Master Mason Degree was probably developed somewhere close to this time as a way of making the process of becoming Master of a Lodge more meaningful, beautiful and instructive. The ceremonies of Installation were probably moved from bing given with the Mark Master to the Master Mason. Eventually, probably owing to the growing membership in lodges, it was determined that the Master Mason Degree be given to all worthy brethren, rather than only one a year who was being installed. At this time, the Installation Ceremony itself became divorced from the Master Mason degree. The Installation ceremony is still used for annual installations in Blue Lodge, and has also developed into the fifth, or "Past Master" degree of York Rite.

But, at this time, the Master Mason Degree included the communication of the true Master's word. Soon, for some mysterious reason, the Hiramic Legend was introduced, and the concept of the Loss of the word, and its subsequent Recovery, was placed into the degree. My speculation is that this may have reflected genuine feelings of the loss and recovery of traditions relating to the reasoning behind many (particularly Irish) masons banding together to form the Antients Grand Lodge of England.

Upon the union of 1813, the recovery of the word was removed from the degree (it being already gone in the work of the "Moderns") , and the ceremony explaining its recovery was moved into what would become the Royal Arch Degree. The part of the degree which remained became the Master Mason Degree, being in essentially the same form as we know it today.

The Irish masons conferred a degree called Excellent Master as a preparation for the Royal Arch. This was a veil-working ceremony involving blue, purple, scarlet, and white veils and an allegory of the return from the Babylonian Captivity, which has been incorporated into the Royal Arch Degree itself as it is worked in the USA.

Meanwhile, Masonry had also traveled to France, and many degrees both spurious and valuable had arisen. Two of these eventually found their way to the United States as side-degrees of the Scottish Rite. They were Royal Master and Select Master. They were recognized to bee particularly applicable to explanation of the York Rite's Royal Arch Degree, and so the Supreme Council of the 33rd Degree of the Ancient and Accepted Scottish Rite had no argument with letting these degrees become organized independently and become a fixture within the York Rite system. (However, the Supreme Council technically still possesses the authority to confer them if they choose to do so.)

Thomas Smith Webb later adopted the Most Excellent Master Degree to fill a remaining gap in the legend by celebrating the completion of the Temple. There is a rumor that he authored the degree wholecloth, but documented evidence exists that a degree of this name was being conferred around the time Brother Webb was born, and the various elements of which this degree consist certainly predate the degree itself within Masonry. This degree fits chronologically between the Master Mason and Royal Arch Degree.

In summary:

• 1° Entered Apprentice - Remains Intact.
• 2° Fellow Craft - Today it is missing pieces.
• 3° Master Mason - Today it is missing pieces.
• 4a° Mark Man - Completes the Fellowcraft Degree.
• 4b° Mark Master - Is itself an older type of "Master Mason" Degree.
• 5° Past Master - Installation was probably the oldest form of the Master Mason Degree.
• 6° Most Excellent Master - Adopted into this sequence by T.S.Webb.
• 7° Royal Arch Mason - Completes the Master Mason Degree.
• 8° Royal Master - Developed in France.
  
• 9° Select Master - Developed in France.

You will observe that it is only the 6, 8, and 9° that do not have a claim to be part of Ancient Craft Masonry, as defined in the 1813 Articles of Union, "that pure Ancient Masonry consists of three degrees, and no more, viz., those of the Entered Apprentice, the Fellow Craft, and the Master Mason, including the Supreme Order of the Holy Royal Arch."

These other "degrees" are merely portions or different versions of the authentic three degrees which have become fragmented into pieces. It is unclear, however, which parts, if any, of the Royal Arch Degree constitute the "Supreme Order of the Holy Royal Arch" (the original conclusion ofo the Master Maso Degre, beyond the short exaltation ceremony itself.

AMD: VII - Superintendent

If you haven't done so yet, read my Introduction to the Allied Masonic Degrees, to which this post is a follow-up.

The structure of the Temple is completed, and only the sacred utensils remain to be completed. (Utensils here includes furniture, including the table of shewbread, lampstand, incense altar, etc.)

Having proven himself capable, by way of the plans presented in the preceding degree, the candidate is now recognized for his achievement by being made Chief Architect, thus becoming the successor to Hiram Abiff.

Thematically, this degree feels similar to the Capitular degree of Most Excellent Master, in that it also acknowledges the completion of the Temple.

The Cryptic Mason will find particular interest in comparing this degree to the Royal Master Degree, in which is given a different (and presumably conflicting) story of the appointment of Hiram Abiff's successor.

Masons are, in some measure, familiar with the concept of self-identifying as "Hiram," but this degree is very humbling in that it appoints the candidate in his stead, by merit of his work and achievements. I don't think it is suggesting that the candidate has surpassed Hiram, particularly since he is not in possession of the Lost Word, but rather, that for want of a Chief Architect the Candidate is found to be the best suited for the position.

AMD: V - Architect.

If you haven't done so yet, read my Introduction to the Allied Masonic Degrees, to which this post is a follow-up.

This degree occurs after the death of Hiram Abiff and requires the candidate to profess his abhorrence of the crime committed against Hiram before being admitted.

It is the first in a series of three degrees, all under the control of AMD, which tell a continuing story about the advancement of skilled craftsmen for the ultimate purpose of completing the Temple.

In this degree the candidate is made an Architect to furnish plans for the second elevation of the Temple and to participate in the construction of the tomb for Grand Master Hiram Abiff.

This degree bears a significant resemblance to the French degree "Petit Architecte" (Junior Architect), which was reprinted in Volume 4 (1995) of Heredom, by the Scottish Rite Research Society. The source from which they received it was an expose published in 1766 entitled "Les Plus Secrets Mysteres des Hauts Grades de la Maconnerie Devoile" [The Most Secret Mysteries of the High Grades of Masonry Unveiled], edited by M. de Berage.

According to Berage's work, this was the Fourth Degree of Masonry, with Perfect Elect Mason, Elect of Perignan, Elect of the Fifteen coming before it. A little research has landed me with this list, which shows that it would have been the Fifth Degree of the "Hauts Grades", not the Fourth or Fifth Degree of Masonry itself. According to Albert G. Mackey's "An Encyclopedia of Freemasonry and its Kindred Sciences" pg. 20, the list of degrees in the now extinct rite of "Adonhiramite Masonry" were as follows:

1. Apprentice
2. Fellow-Craft
3. Master Maon
4. Perfect Master
5. Elect of Nine
6. Elect of Perignan
7. Elect of Fifteen
8. Minor Architect
9. Grand Architect, or Scottish Fellow-Craft
10. Scottish Master
11. Knight of the Sword, Knight of the East, or of the Eagle.
12. Knight of the Rose Croix

There is sometimes a thirteenth degree "Noachite or Prussian Knight" listed with these, but according to Mackey, this is an error because of its being included after Rose Croix in a book from which the list was copied.

I should mention that I got to be the candidate for the AMD version of the Architect Degree when our Council put it on this last year. It was special, and I really feel that it is a worthwhile degree and has a good, consistent feeling that goes along with the other degrees of Masonry.

AMD: III - Masters of Tyre

If you haven't done so yet, read my Introduction to the Allied Masonic Degrees, to which this post is a follow-up.

This most impressive degree commences in the Court of Hiram King of Tyre, who receives a request from King Solomon for assistance in building the Temple. Hiram of Tyre composes a congratulatory letter in return, and sends the requested assistance along with a skilled craftsman named Hiram Abiff.

This degree, therefore, gives an explanation to how two of our "Ancient Grand Masters" became associated with the other one, King Solomon, in the building of the Temple, and allows us to visualize circumstances which were merely mentioned in the Lecture of the Master Mason Degree.

The second section of this degree takes place in a quarry near Jerusalem. Bodies of this degree are styled Quarries.

Events that take place after the death of Hiram Abiff are also included in this degree, and it is so interwoven with the time-line of the Master Mason degree, that it almost seems as though one is observing the Master Mason Degree from a different person's perspective.

In commemoration of Hiram Abiff, who was a Tyrian by habitation, but an Israelite by birth (his mother was of the tribe of Naphtali), Hiram, King of Tyre founds a new order, the Masters of Tyre, to memorialize our departed Grand Master.

This degree is unique in being from a Tyrian perspective such that Hiram King of Tyre presides in the East.

I haven't seen it put on yet, but from my study of it, I believe this to be my favorite of all the Allied Masonic Degrees.